I chose photo one of fans at the University of Florida versus Arkansas game because it emphasizes the intensity of the game as everyone watches closely. Being that I am a Gator fan and attend the University of Florida also had some influence as to why I chose this particular picture. A photo like this says a lot about the University of Florida’s school spirit and the role football plays at the University and in its fans lives. If the fans in the picture were to take a picture of me at that game they probably would have captured me rooting the Gators on with both my arms in the air. The caption would most likely say that I am a fanatic rooting on my home team. From that photo others would probably make the assumptions that I am a big gator fan with lots of team spirit.
Photo 1: Florida vs. Arkansas Fall of 2009.
When I take photos when I am traveling I want my photos to convey a message like the one above and be interpreted in a number of ways which I think a lot of images are capable of. Capturing others just at the right moment says a lot about who they are individually, as a people, and culturally. What we want others to know about the “others” helps us determine how we take pictures. For example, the image of high school students at Montebello High in photo two shows Mexican students in a positive light. This picture was taken at a school event where the photographer captured the students smiling and showing a sense of spirit and unity. Now if the photographer were to capture the Mexican students doing something like fighting at the school event, the picture would tell a whole different story. This would show Mexican students in a negative light and one interpreting the photo could say that the Mexican students are troublesome. So photos can work in both ways, either it can tell u what we need to know or not tell us enough.
Photo 2: Mexican students at Montebello High Scool.
Rayah's Blogging
Friday, November 12, 2010
Friday, October 29, 2010
I’m Already There
Country music is known for its abilities to tell stories in their songs. Most songs have metaphors in them but are pretty common in country songs. One of my favorite country artists, Lonestar, makes a good use of metaphors in his song called “I’m Already There.” The song is about a man who is away from his family because he is in the war. He calls his wife to hear her say she loves him but then hears their kids in the background playing and it brings tears to his eyes, meaning that he misses his family. His daughter gets on the phone and asks when he is coming home, meaning he is missed in return. He answers his daughters question by saying “Take a look around. I’m the sunshine in your hair. I’m the shadow on the ground” to let her know he is there in spirit even though he is not physically there. In the next verse he says “I’m the whisper in the wind. I’m your imaginary friend,” yet another metaphor. They both know that in reality he isn’t any of those things, they just like to think that because they miss each other and he wants her to know he will always be there. When his wife gets back on the phone she tells him “But I know that I'll be in your dreams tonight,” meaning that she knows that she is in his thoughts. In the later verse he tells her “I’m the beat in your heart,” symbolizing the love that they share which is a feeling that can never be removed whether he is there or not. He may be thousands of miles away but he will be with his family where ever they are because of the love they have for each other. The title “I’m Already There” represents the emotional feeling of his presence and the metaphors in the song help accomplish what that feeling is.
I'm Already There Lyrics
Songwriters: Myers, Frank; Baker, Gary; McDonald, Richie;
Songwriters: Myers, Frank; Baker, Gary; McDonald, Richie;
He called her on the road from a lonely cold hotel room
Just to hear her say, "I love you one" more time
But when he heard the sound
Of the kids laughin' in the background
He had to wipe away a tear from his eye
A little voice came on the phone
Said, "Daddy when you comin' home?"
He said the first thing that came to his mind
I'm already there
Take a look around
I'm the sunshine in your hair
I'm the shadow on the ground
I'm the whisper in the wind
I'm your imaginary friend
And I know, I'm in your prayers
Oh I'm already there
She got back on the phone
Said, "I really miss you darlin'"
"Don't worry about the kids they'll be alright
Wish I was in your arms, lyin' right there beside you"
"But I know that I'll be in your dreams tonight
And I'll gently kiss your lips
Touch you with my fingertips
So turn out the light and close your eyes"
I'm already there
Don't make a sound
I'm the beat in your heart
I'm the moonlight shinin' down
I'm the whisper in the wind
And I'll be there 'til the end
Can you feel the love that we share?
Oh I'm already there
We may be a thousand miles apart
But I'll be with you wherever you are
I'm already there
Take a look around
I'm the sunshine in your hair
I'm the shadow on the ground
I'm the whisper in the wind
And I'll be there 'til the end
Can you feel the love that we share?
Oh I'm already there
Oh I'm already there
Just to hear her say, "I love you one" more time
But when he heard the sound
Of the kids laughin' in the background
He had to wipe away a tear from his eye
A little voice came on the phone
Said, "Daddy when you comin' home?"
He said the first thing that came to his mind
I'm already there
Take a look around
I'm the sunshine in your hair
I'm the shadow on the ground
I'm the whisper in the wind
I'm your imaginary friend
And I know, I'm in your prayers
Oh I'm already there
She got back on the phone
Said, "I really miss you darlin'"
"Don't worry about the kids they'll be alright
Wish I was in your arms, lyin' right there beside you"
"But I know that I'll be in your dreams tonight
And I'll gently kiss your lips
Touch you with my fingertips
So turn out the light and close your eyes"
I'm already there
Don't make a sound
I'm the beat in your heart
I'm the moonlight shinin' down
I'm the whisper in the wind
And I'll be there 'til the end
Can you feel the love that we share?
Oh I'm already there
We may be a thousand miles apart
But I'll be with you wherever you are
I'm already there
Take a look around
I'm the sunshine in your hair
I'm the shadow on the ground
I'm the whisper in the wind
And I'll be there 'til the end
Can you feel the love that we share?
Oh I'm already there
Oh I'm already there
Friday, October 22, 2010
Proactiv
When the word proactive is mentioned many people’s first thought that comes to mind might be acne or an acne solution or even Jessica Simpson. The original meaning of proactive, which many people seem to forget, means to act in advance to deal with an expected change or difficulty, taking charge of situations, or to take action before something happens. We associate the word proactive with acne because of the phenomenal acne solution called “Proactiv” that is advertised everywhere and anywhere. You can find Proactiv products in the mall, constantly being advertised on television programs, and in magazine ads. Proactiv also uses a famous celebrity to be the spokes model and face of their product, Jessica Simpson, making Proactive more memorable and famous itself. So other than acne, Proactiv is associated with Jessica Simpson as well. Proactiv has two well known representations of its product through the help of media.
The meaning of the word proactive has a strong relation to the Proactiv product as well. It can be said that Proactiv’s name derives from the meaning of the word. The intentions of the Proactiv acne solution is to clear and prevent acne before it has a chance to happen. By using Proactiv, you are being proactive, making a difference and putting a stop to acne. The brand name Proactiv, also known as their logo, has intentionally used the meaning to represent its line. The company has just spelled the word differently so they could make their own mark. There are so many mediums now in which to market your product from infomercials to regular commercials to mainstream distribution in stores and vending machines. They have become successful because they have marketed themselves with iconic images and have a proven track record. The name and how well the product works are just as important as the symbol and celebrity endorsement. Jessica Simpson is the proof of Proactiv’s success and by using a celebrity the product has more of an appeal to consumers.
Proactive has successfully cornered the niche market for small blemishes to full breakouts because they have used Jessica Simpson’s celebrity endorsement, a recognized name, logo and branding which has ultimately produced a successful and well-renowned product.
Friday, October 1, 2010
All Faces Matter
With respect to war and conflict, America has always taken great steps to protect the identity, dignity and integrity of American victims of war; however, the same cannot be said of America’s treatment of the victims of our opposition. Regarding the Pain of Others makes it apparent that “[…] photographs of anonymous Americans casualties had appeared in a number of news-magazines, always prone or shrouded or with their faces turned away” (Sontag 70). The way these photographs were taken assured that the faces of these casualties were not seen. Photographs are taken this way to conceal the victim’s identity and to be considerate of the family members and close ones to the victim. For instance, images from September 11, 2001 broadcasted on the news gave an overview of the disaster but the camera did not focus in on people’s faces. Some pictures that were taken by amateurs near the scene at the time of the event were posted on the internet and had to be taken off because they revealed the faces of the Americans and many of the loved ones of the victims were hurt by the images. Regarding the Pain of Others recognizes that “This is a dignity not thought necessary to accord to others” (70). The faces of victims not from this country, the “others”, are usually displayed in news magazines and the television. Sympathy for the others and their families are not taken into account as they are when it comes to our side. For example, in Clint Eastwood’s historical film, Letters from Iwo Jima, when the American soldiers landed on the shorelines of the island, the Japanese shot at them but none of the Americans faces were in the camera’s shot. Even though it was just a movie, the film did not show the individual faces of the Americans when they were all being attacked or when they were dead. When the camera did a shot over the beach where all the dead American soldiers laid none of their faces were in focus. The Japanese’s faces on the other hand were all shown which is ironic because the movie is supposed to represent their side. When the Americans were blowing them up with fire torches or when the Japanese committed suicide, their deaths were shown along with the aftermath including their faces.
Friday, September 24, 2010
Facebook is appropriate for all subcultures. The photos in my album, including tagged ones of me, cannot be taken offensively by anyone. I only have one photo album on Facebook which is my profile pictures album. There are only six photos in this album, three consisting of just me smiling either in my room or taken somewhere else inside my house. The other three photos are one me and my sister and the back seat of my mom’s car, one of me and my friend at my birthday dinner, and one of me and my boyfriend sitting on my living room couch smiling. There are no provocative ones where I am wearing indecent clothing as you would find on many other young girls’ pages. I am fully clothed as well as others in all my photos. In the photo of my sister and me, we are wearing our seatbelts which shows that we are responsible and safe. The photos that I am tagged in are just of me, my friends, and family. Most are just smiling pictures and the rest are pictures at events or places. The comments on my photos are usually compliments such as “This is super cute”; no one has ever had anything negative to say. All my photos are wholesome so no one will be able to object to them. They are representations of a happy and normal life.
The status updates and the information I put on my profile are of good quality. Anyone can observe them and find no problems with them whether it is my parents, co-workers, teachers, or friends. For instance, my last post said “I’m going home this weekend and I can’t wait to see my family.” My posts are innocent and simply expressions of my feelings. My profile lets people know who my siblings are, where I’m from, and other background information Facebook has you fill out. There are no curse words or things that I wouldn’t want any subculture to see on my profile. My Facebook illuminates who I am and all subculture groups that know me would be able to identify this. I really do not mind who sees my Facebook because I have nothing bad to say or to put on my wall. I make sure that it is clear I am a Christian on my profile by filling in that I am on the religious views section and posting statuses about my faith such as “God is good.” My Facebook persona doesn’t allow people to see an unpleasant side of me because my profile is clean and portrays me as a good person.
Friday, September 17, 2010
Multimedia Blog
A HUSBAND'S SECRET
After they graduated high school, Freddie and Marie attended the University of Florida where they earned their bachelor degrees. That night Freddie and Marie went to dinner at a restaurant called The Melting Pot located off of University Avenue. Before they ate desert Freddie got down on one knee and proposed to Marie and as she had done before she replied yes.
Marie started to plan for the wedding right away. They planned to have the wedding sometime in October so the weather would be cool and they could hold the ceremony outside. They married October 27th in Key West and settled down in Jacksonville, Florida. They moved into a two story house in a subdivision called Pine Crest. Their house was made out of stucco and surrounded by hibiscus flowers.
Marie had a job at Nemours Clinic in the hematology department as a nurse and Freddie worked in Bank of America as a finance manager. One day for Freddie’s lunch break Marie came and brought him Burger King. She sat in the chair in front of his office desk and he sat in his computer chair behind it. A young blonde woman, wearing a black pencil skirt and a white blouse, came to the door way.
Young woman: “Hey Freddie! Here goes the paper work for the Markell account.”
Freddie: “Thanks Franchesca. I’m glad I can count on you.”
Young woman: “You’re welcome.” as she smiles and leaves the room.
Marie stares at Freddie and doesn’t say anything.
Freddie: “What?”
Marie: “Who is she?”
Freddie: “She’s the clerk.”
Marie: “Oh really, well how come I’ve never seen her around before and why didn’t you introduce me?”
Freddie: “She’s new and I didn’t want her to stay any longer than she needed to. I want to enjoy my lunch with you.”
Marie: “That better be the only reason why.”
Freddie: “It is baby. You’re the only woman my heart desires.”
They continue to eat their lunch and then go back to work. The next few weeks carry on as usual.
A friend of theirs named Mike stops by one day to visit and catch up. He invites them for dinner next Tuesday and Marie replies, “We would love to” but Freddie replies, “But we can’t. I have a business meeting to attend to then.”
Marie: “What business meeting? You never told me you had a business meeting.”
Freddie: “Well next week I have a business meeting. Sorry Mike but we will have dinner some other time.”
Mike: “It is fine. We will just do it whenever you guys have time.”
Mike says good bye to them and leaves to go home.
Marie: “So what business meetings take place in the evening?”
Freddie: “It’s not really a meeting but more like a workshop. All the employees have to go for the next few weeks, every Tuesday.”
Marie: “Oh, well I wish you would inform me on these kinds of things. I’m going to miss you every Tuesday now.,” she smiles.
A few weeks later Marie was shopping at Publix and saw a lady named Mrs. Olsten from Freddie’s work.
Marie: “Hi Mrs. Olsten, how are you?”
Mrs. Olsten: “Hey Marie. I’m doing great. How are you?”
Marie: “I’m doing fine, thank you. I thought you guys had workshops to attend to at work on Tuesdays?”
Mrs. Olsten: “What workshop? I think I would lose my mind if they gave us anymore to do.”
Marie: “Oh I must have understood Freddie. Well have a nice day. Bye.”
Instantly, many thoughts came to Marie’s head. She had to think right away about what she was going to. He had lied to her and was doing something he had no business doing. Was he cheating? Maybe this could explain why he was acting so unusual that day in his office. It’s because of that new clerk! Whatever it was Marie was going to get to the bottom of it.
When Freddie got home that night she acted as usual. They had dinner, watched some television, and then went to bed. The following week it was time for Freddie to go to his “workshop” again and Marie followed him. About seven minutes in the car ride Marie realized that they weren’t headed to his job but downtown. Freddie walked up to a three story brick building and entered at a side door. Marie parked and went inside of the building. It was very dim inside and there were tables everywhere with people at them. There was a lighted up stage in the front of the room and a microphone in the middle.
A man walked up on stage and started to recite a poem about love. He was wearing a hat that covered his face and when it came to the last line of the poem and he looked up at the audience and it was Freddie. All of Marie’s fears were relieved. Freddie wasn’t cheating on her; he had been attending poetry night to improve his poetry skills and planned on surprising Marie. Freddie saw her from across the room and left the stage to walk over to her. Once they met up they both smiled at each other and started talking.
REFLECTION
The images alone the reader could interpret them as a number of things. One can tell that it has to do with a couple, a married couple at that because of the image of wedding rings. I placed the images of different places after the image of two people so the reader could assume that they are associated with the couple somehow. The images show things that could pertain to one’s life until we get to the last picture that shows that things aren’t as normal as they appear and something is going on, cheating perhaps. But when I put the images with the written text they make more sense and their meanings are clearer. The written narrative guides the readers through the images with each image tying in with a certain part of the passage. Although the last image of the lipstick stain on a man’s collar probably makes the audience think that the story involves cheating or some kind of scandal, the written text solves that mystery or question and the reader is able to put the intended connection to that image. The images alone are able to tell part of the story but we need words to fill in the missing pieces and finish it.
Friday, September 10, 2010
Sixth Sense Clip Analysis
There are police cars in the beginning of the scene and traffic jams on both sides of the street. *Cultural Code (REF). We all know, well at least in the U.S., that whenever there is traffic there is an accident. Police are on the scene which let us know something has happened, something bad, especially since the traffic is stand still. As the narrative moves forward, we discover how this part ties in with the theme of the scene. Cole sees the victim of this accident outside his window which is maybe why he is ready to reveal his secret to his mother at that point in time.
I’m ready to communicate with you now. Communicate? Tell you my secrets. What is it? You know the accident up there? Yeah. Someone got hurt. They did? A lady, she died. Oh my god. What you can see her? Yes. Where is she? Standing next to my window. Cole you’re scarring me. They scare me too sometimes. They? Ghosts. You see ghosts Cole? Cole nods his head and says they want me to do things for them. ** Hermeneutic Code (HER). Cole builds an enigma when he tells his mother he is ready to communicate which could mean a number of things and that is why his mother questions, “Communicate?” Cole is also indirect and partial with his answers (delays) when talking to his mother. Rather than just coming out and saying that he can see ghosts, he gives bits and pieces of information until the answer is fully exposed. For example, when Cole’s mother asks if he can see her, he just says yes instead of telling her how he can see her. As a result, she continues to ask Cole more questions. She asks Cole where she is and he says outside of his window so the camera shoots over to Cole’s window and the biker victim is standing there although his mom cannot see her (equivocation). When Cole starts to finally reveal the truth the camera does a shot-reverse-shot (promise of an answer). Cole tells his mother how he has seen and spoke to her grandmother (disclosure), giving proof to what he has said is indeed the truth. ***Proairetic Code (ACT). Before and after each of Cole’s responses he takes a long pause (also part of HER: suspended answer) which is a behavior that adds suspense and drama to the scene. Cole’s mother sticks her head out the window when he tells her he can see the biker victim because she is unaware that he can see ghosts and that the victim is standing outside of his window, so as many would assume, she thinks that he sees the biker victim at the site of the accident.
I’m ready to communicate with you now. Communicate? Tell you my secrets. What is it? You know the accident up there? Yeah. Someone got hurt. They did? A lady, she died. Oh my god. What you can see her? Yes. Where is she? Standing next to my window. Cole you’re scarring me. They scare me too sometimes. They? Ghosts. You see ghosts Cole? Cole nods his head and says they want me to do things for them. ** Hermeneutic Code (HER). Cole builds an enigma when he tells his mother he is ready to communicate which could mean a number of things and that is why his mother questions, “Communicate?” Cole is also indirect and partial with his answers (delays) when talking to his mother. Rather than just coming out and saying that he can see ghosts, he gives bits and pieces of information until the answer is fully exposed. For example, when Cole’s mother asks if he can see her, he just says yes instead of telling her how he can see her. As a result, she continues to ask Cole more questions. She asks Cole where she is and he says outside of his window so the camera shoots over to Cole’s window and the biker victim is standing there although his mom cannot see her (equivocation). When Cole starts to finally reveal the truth the camera does a shot-reverse-shot (promise of an answer). Cole tells his mother how he has seen and spoke to her grandmother (disclosure), giving proof to what he has said is indeed the truth. ***Proairetic Code (ACT). Before and after each of Cole’s responses he takes a long pause (also part of HER: suspended answer) which is a behavior that adds suspense and drama to the scene. Cole’s mother sticks her head out the window when he tells her he can see the biker victim because she is unaware that he can see ghosts and that the victim is standing outside of his window, so as many would assume, she thinks that he sees the biker victim at the site of the accident.
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